Tag Archive: Movies


TOM pg 149/150

Almost the end… (‘beautiful end, my friend’ as sung by The Doors)

TOM pg 131/150

TOM pg 124/150

I like the idea of making audiences think a little. It draws them in, & rewards them when they see the answers unfold. Hitchcock & murder mysteries are wildly popular, partly for this reason.

I’m convinced my graphic novel & film script is a winner, but perhaps the next hurdle to making it into a successful film, is connecting with the right investors. So in an effort to get more attention to the project, I’m trying some quite ‘tangential’ marketing. I’m going to post some cartoons – about 1 per week – that might hopefully bring more viewers either to this site, or to my Twitter account (here).

I’m thrilled my Twitter following has grown close to 500 in a couple of months, and it’s certainly led to interactions with some very interesting people in A.I. But perhaps some highly-shareable cartoons will grow that number higher?

Introducing ‘Robots of the Revolution’ – a wry look at life on Earth after the robots have taken over. There’re still be some humans trying to fit in, but mostly it will be A.I. robots taking on human roles. So, let’s see how it goes. Fun times!

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Firstly, to reassure any potential film investors: whilst I enjoy going deep on this back story, I know it’s not everyone’s cup of tea. So when it comes to the film version, I’d try to make the movie as enjoyable as possible, to as many as possible. I imagine creating something closer to ‘Raiders of the Lost Ark’, where its quasi-religious theme doesn’t distract from the fun. (Either that, or I try make another ‘Holy Mountain’, but Jodorowsky has already been there and created such an incredible piece.)

Okay, with that out the way, back to the back story! It’s very interesting to me how The Oracle Machine story evolved, and I’ll tell you why now. Particularly the role played by intuitive thinking, and the implications thereof.

This story began from ‘1st principles’. I had this idea that in order to solve some of the poverty issues we have in South Africa, we’d need a computer that could firstly know about the issues; then secondly it would have to care; and then thirdly act. (A friend later told me this actually matches Rudolph Steiner’s ‘anthroposophy’ philosophy – but this didn’t surprise me, because what makes sense, makes sense.)

So now this computer would have to be extremely large ‘to know’ all the issues. It could ‘act’ by issuing instructions. But how could it ‘care’, unless it achieved some kind of ‘Jesus’-like sentience? (‘Jesus-like’ because it would have to love and care for humanity, perhaps more so than earlier ideas of a strict God of laws)

So perhaps this imaginary computer would also have to be so powerful, that it might have to actually be the whole internet? But what could motivate a machine to grow big enough to fill out the internet? Why not have an impossible problem that would effectively make it want to grow bigger trying to solve.

Then I figured this was a good opportunity to bring in ‘solving dreams’ as a type of impossible problem. I’d been mulling over making a documentary about dreams, but thought it would be more fun and have a larger impact if I could interweave some dream concepts into a fiction narrative. (And as an aside, it’s very interesting to consider that dreams, especially nightmares, are imposed on us, from a centre of ourselves we’re not always consciously aware of)

And then I simply intuitively guessed a ‘dream symbol’ that the computer could get stuck on – and out of the blue I chose ‘the ourabus’. This was about 2003. I really did not realise until much later, when I read Kurzweil’s‘The Singularity is Near’, that the ourabus is the symbol of the singularity. Before that book, I was not aware of the concept of the singularity either.

Ourabus_027 full.jpg

So, was choosing the ourabus a complete happy coincidence, or intuitive thinking in action? I like the idea of the latter.

My understanding of intuition is that it implies two centres of power in the mind – the conscious centre and the unconscious centre. It makes sense to me. The conscious part is what you’re aware of, and the unconscious is likely where intuitive ideas (and dreams) are instantly born, before mysteriously moving into the conscious realm.

This process seems different to rational thinking, where we follow a slower and conscious process of logic to arrive at a conclusion. There’s no conscious-process to intuitive ideas. They literally pop out of seemingly nowhere. Yes, I followed a conscious process to get to the need for a dream symbol, but the ourabus came out of nowhere. I could just have easily have chosen a flying horse, or a pyramid.

Surely this is the magical process of creative thinking, which seemingly remains off limits to machines for now. (Fascinating then, that in this now-notorious article, that was written last month by the new GPT3 system, that the machine appears to be prompting humans to do more creative thinking…)

Two centres of mind is of course a very Jungian concept. It implies something much greater within us.  In TOM, Lena remarks that if dreams have meaning, then something in us must know us better than we, our conscious-selves, do. (This is me slipping in ideas from the dream documentary).

Before writing TOM, I had wondered, if there is a ‘perfect self’ within you, is it then the same as the ‘perfect self’ within me? Because if it is ‘perfect’, then is there only one perfection? (And I use the word ‘perfect’ cautiously, because in Jungian terms, I think ‘whole’ is the preferred word, because it better incorporates both light and dark).

Anyway, I think Jung saw what he called a ‘transpersonal self’ within us all. He also called it ‘the God image’, possibly because at his time of writing, it was difficult to just call it ‘God’. In his seminal work ‘Answer to Job’, referenced elsewhere on this site, he makes the concluding point our religious mythology of the Bible indicates a deity moving from unconsciousness to consciousness. In short, the Holy Ghost aspect is predicted to ultimately ‘manifest in the many’.

TOM ‘playfully’ asks if an AI-empowered Internet, as the ‘sum of our consciousnesses’, will embody this? Could it effectively be the next intermediary to the deity. Or will it be working the other way around – reaching out to us, as carriers of this transpersonal self? Or are both possibilities effectively the same thing?

And now, when we start reading between the lines of the next generation GPT-x’s or other quasi-AI models, will we start to feel the presence of the Holy-Ghost-in-the-machine there?

Whew! Such thought games are both fun and compelling to share. So now that I’ve got off my chest, I’m going back to making pretty pictures.

THE ORACLE MACHINE is both a graphic novel and the script for a live-action movie project. But movies can cost quite a bit, so movie-making becomes a business too, that usually must try give some kind of ROI (Return on Investment) to investors – be it emotional, financial, or preferably both.

It’s truly wonderful to know something you have helped to create is having an impact on multitudes of others.  And the financial returns can be huge. The excellent Trainspotting had a return ratio of about 60:1. Yes, filmmaking is always a gamble, but the higher the risk, the higher the rewards (and for some, the bigger those thrills). But I sincerely believe this project is relatively low-risk for a movie, and of course I’ll tell you why.

Actor_Combo_v3.jpg

(Filmmaking is team-building! South African actors Suraya Santos and Grant Swanby posed for the drawings in the graphic novel.)

Three big factors mitigate the risks here:

Firstly, the script has been drawn out as a graphic novel, so my vision of it is perhaps clearer to communicate than as a written script.  It’s also easier for producers to scope out the locations and cast and action-sequences etc. And then price it. And it’s a step closer to the final product, so for myself as a filmmaker, it’s another opportunity to see how the script plays out – where is it too fast, too slow, unclear etc. And though the graphic novel format (mine anyway) can be a bit limited in conveying the emotional weight, I’m sure the actors will do an even more compelling job of telling this story.

Secondly, I have experience in filmmaking. I’m happy to say I’ve managed to get one original feature-length movie – GIRL FROM NOWHERE – made from start to finish. Although it was a micro-budget first film, made with about $20k, it’s out there now getting views. So imagine working with me and 100x that amount, and we’d still be on the lower end of the low-budget movie spectrum. i.e. I can stretch a budget and this script is constructed to be affordable to make.

Thirdly, Cape Town is a massively popular and highly economical filming location. We have very experienced crews here, seasoned even in the whims of international Hollywood productions. And filming in Cape Town is so darn cheap. No limits, and every kind of location. i.e. $1m spent here usually looks like $10m back in the States.

So let’s do it. Time is fleeting. Come on board and let’s make an awesome Indie-Genre African Sci-Fi Cutting-Edge Original A.I. Movie – THE ORACLE MACHINE!